Showing posts with label obey giant. Show all posts
Showing posts with label obey giant. Show all posts

Monday, June 4, 2018

Shepard Fairey Your Ad Here Large Format Print Release

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Obey Giant is set to release another big one.
The Your Ad Here Billboard print references Pop Art, advertising, and my history of pasting my art on commercial billboards. I have often seized upon ad-free billboards as convenient large canvases and frequently the only text on these otherwise blank billboards says “YOUR AD HERE” with a number to call. I am amused and grateful when offered an opportunity to place “my ad” in a free space. – Shepard
Your Ad Here Billboard Large Format. 26 x 48 inches. Screen print on cream 100% cotton custom archival paper by Legion Paper with hand-deckled edges. Signed by Shepard Fairey. Numbered edition of 75. $800. Obey publishing chop in lower left corner. Comes with Certificate of Authenticity (COA). Available ‪Tuesday,‬ June 5th‬ ‪at 10AM (PDT) ‬on ObeyGiant.com in Store under Prints.

Friday, October 6, 2017

Obey Giant Rose Soldier Letterpress Release

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Obey Giant is set to release a new piece of art by Shepard Fairey. Rose Soldier. 10 x 13 inches. Letterpress on cream cotton paper with hand-deckled edges. Signed by Shepard Fairey. Numbered edition of 450.  Obey publishing chop in lower left corner.

Available Tuesday, October 10 at 10AM (PDT) on ObeyGiant.com in Store under Prints.

Monday, July 10, 2017

Disruption and Disorder Posters by Shepard Fairey & Francisco Reyes Jr.

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Obey Giant will have a couple of new prints Shepard collaborated on with a friend of his.
Francisco Reyes Jr. and I have been working together for several years now, and we frequently talk about politics and social issues. When Cisco presented the concept of the Disruption and Disorder series as a possible collaboration, I immediately loved the power of the symbols used to call out the villains and their tactics. As America has moved toward a corporatocracy, the tactics of politicians like Trump and many corporations to brazenly undermine fact, science, and reasonable debate by spreading chaos and disinformation to advance their own agendas over the well-being of the public has become even more pervasive. When greed, disinformation, and indifference become the status quo, it is time to dissent. I really enjoy illustrating skulls and fire, so this art as a small act of dissent was a bit of visceral therapy. Cisco and I are both intensely frustrated with the state of politics, and I’m glad we were able to collaborate and bond with a bit of artistic resistance! – Shepard
The Disruption and Disorder series was inspired by the divisive rhetoric and dog whistles President Trump uses to manipulate the media. As a first generation Mexican-American, the hate spewed from then-candidate Trump was appalling on a deeply personal level. I thought that surely such a hateful man would never win the election. How wrong I was! On November 8th, I watched the nightmare unfold in complete shock and disappointment.  In the past, my work has displayed political undertones, but never as blatant as in this collaboration. I felt compelled to address my discontent and grievances with President Trump, so I ran the concept of a collaboration by Shepard and he was down.
Given his history of overtly political art and sticking it to The Man, I knew Shepard would be familiar with where I was coming from. I was 16 years old when President George W. Bush was elected—this was also the time I began to really pay attention to the political climate of this country. 9/11 further solidified my interest, and it was around this time that I discovered Shep’s work. His criticism and satire of the Bush administration paired with the aesthetic and message of his work was (and continues to be) inspiring. 
Fast forward 16 years—I have now been working under Shep for the past 5 ½ years and in this time, he has nurtured and facilitated my growth as an artist. The discipline and techniques I acquired through his guidance have now come full circle and manifested in this collaboration—it is a direct criticism of Trump’s America. I hope the message will resonate with others just as it did for me so long ago. – Francisco
Deceit & Disruption. 18 x 24 inches. Screen print on cream Speckletone paper. Signed by Shepard Fairey and Francisco Reyes Jr. Numbered edition of 200 (per diptych). $110. 150 available Tuesday, July 11 @ 10AM (PDT) on ObeyGiant.com in Store under Prints. 50 available Tuesday, July 11 @ 10AM (PDT) on NeverMade.com.

Destruction & Denial. 18 x 24 inches. Screen print on cream Speckletone paper. Signed by Shepard Fairey and Francisco Reyes Jr. Numbered edition of 200 (per diptych). $110. 150 available Tuesday, July 11 @ 10AM (PDT) on ObeyGiant.com in Store under Prints. 50 available Tuesday, July 11 @ 10AM (PDT) on NeverMade.com

Tuesday, June 28, 2016

Earth Crisis Letterpress Print Set By Shepard Fairey Release

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Building on Earth Crisis, Shepard Fairey approached this new body of work keeping in mind different ways to engage people through art. He created a series of six letterpress prints that will be available along with the fine art and sculpture pieces for the Earth Crisis exhibition opening this Friday, June 24 at Galerie Itinerrance in Paris, located at 24bis boulevard du Général Jean Simon 75013.

These pieces continue to address the need to protect the planet, through this powerful environmentally-themed art. Proceeds will be donated to support global environmental organization - 350.org. The lower numbered prints will be available at Galerie Itinerrance in Paris starting Friday. A very limited quantity of the letterpress prints will also be available to purchase on ObeyGiant.com, Tuesday, June 28 at 10AM PST. 100% cotton archival paper with hand-deckled edges. Signed and numbered editions of 450. 16.75 inches by 13.75 inches. OBEY publishing chop on bottom left corner. $75 Each in the Store under the Prints section. Please see original post below for details, in addition to new detail shots.
"The installation, the murals, the fine art, and the prints - they are all different platforms to put across the message that we are facing an earth crisis. I think that art is a way to engage people. Art can initiate conversations when other media fails. If a viewer likes my mural, if they like my installation, like my art pieces, that may make them consider what the image is addressing. This new body of work reflects on and builds upon, my entire history of environmentally-themed art. I hope that it appeals visually AND sparks the needed conversation about protecting our planet for future generations."-Shepard

Friday, June 3, 2016

Royal Treatment Money and Skulls Posters By Shepard Fairey Release

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Next week Obey Giant will be releasing two new posters by Shepard Fairey, Royal Treatment Money and Royal Treatment Skulls. Aside from being a left and right the cuff links are different and back ground colors.

Both prints 18 inches by 24 inches. Screen print on cream Speckle Tone paper. Each an edition of 300. Signed by Shepard Fairey. A portion of the proceeds will be donated to 350.org. $55 each (sold individually).

Available Thursday, June 9 at 10AM PDT on ObeyGiant.com in Store under Prints.

Tuesday, May 3, 2016

Danger No Smoking Shepard Fairey Print Release

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Shepard Fairey is dipping into his past for his latest print release titled Danger No Smoking. 

Shepard gives a little back ground on the design:
This Danger No Smoking print is inspired by a screen print I made in 1990, which was the very first image I made addressing the environmental and health hazards of gasoline. I took this photograph in Providence, RI at the edge of a desolate graveyard, which probably intensified my interpretation of the peeling paint on the gas pump as a skull. I decided the symbolism provided by natural erosion was powerful enough to make the photo worthy of turning into a print. I always liked this image, and I rediscovered it while looking for images to include in a book surveying my entire history of environmentally themed art. I only made ten prints of the gas pump skull in 1990, so I decided I should make a new version of the image as a painting for my Paris art show, and an edition of prints accessible to more than 8 people (I kept two of the ten 1990 prints).
-Shepard
 Danger No Smoking. 18 inches by 24 inches screen-print. Numbered edition of 450. Signed by Shepard Fairey. $45. Available Thursday, May 5th at 10AM PST in the Store under Prints.

Wednesday, March 30, 2016

Shepard Fairey C.R.Stecyk III POP Wave Prints Release Details

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Shepard Fairey has another collaboration print being released soon from Obey Giant. 

"This P.O.P. Wave print is a collaboration with artist and photographer Craig Stecyk A.K.A. C.R. Stecyk III. If you aren’t familiar with Stecyk by name, you probably know many of the things he has done over the years. In the 1970’s Stecyk was co-founder of the Zephyr surf team and a seminal creative force in the the Dogtown surf and skate scene. Stecyk went on to work as a creative director for Powell-Peralta skateboards during their 1980’s era of domination. In addition to creating well known iconography like Powell-Peralta’s “Rat Bones” logo and the Thrasher “Skate and Destroy” typography, Stecyk was very involved in the highly influential Bones Brigade skateboard videos.

Around the year 2000 I reached out to Stecyk to get his OK to do a “Paste and Destroy”(a poster wheat-sting reference) tee shirt design inspired by his “Skate and Destroy." He gave me his blessing, and in hindsight, I’m glad I asked permission, because shortly after that I was asked to design the soundtrack package for the documentary film Dogtown and Z-Boys which featured Stecyk’s photography. Stecyk didn’t hate the work I did on the soundtrack package, so he let me make an illustration of legendary skateboarder Jay Adams based on one of his photos. Craig and I have remained friends and the opportunity recently came up for us to collaborate again on imagery for a mural in Venice, CA, Stecyk’s stomping grounds. I have enjoyed making illustrations of waves as part of my environmentally themed art over the last few years, so I was excited to make an illustration based on Stecyk’s 1970’s photo of a wave curling in front the decaying Pacific Ocean Park pier (P.O.P.). The Zephyr surf team used to localize the pier and shoot the waves through its ragged pilings in poetic demonstrations of humankind and nature in harmony rather than conflict. The P.O.P. Wave is a reminder not to mess with nature unless you want to be punched back hard. In the battle of the waves versus the P.O.P., the surfers knew who would prevail."-Shepard
"The Pacific Ocean Park pier straddled a dividing line between the cities of Santa Monica and Los Angeles. It was in equal portions: a legal quagmire; an abandoned amusement park; a venerable historic artifact; a phenomenal surfing spot, home to acres of unregulated skateable concrete; a site of endless free building materials; and blocks of free space to host any imaginable enterprise.

For a time I worked the POP enviorns for all of the above reasons. Cops from the differing municipalities were loathe to interdict there, as it constituted a jurisdictional no-man's land. So no one ever bothered me. It was a great time and a phenomenally inspirational place. This photo documents one such morning. " - C.R.Stecyk lll
"P.O.P. Wave" print collaboration with C.R. Stecyk III, offered in two editions: Blue, and Gold. Prints are signed by Shepard and C.R. Stecyk III. Both numbered editions of 300. $65. 18 inches by 24 inches screen print. Available Tuesday, April 5th at 10AM PST on ObeyGiant.com 

Wednesday, December 2, 2015

Shepard Fairey Keep It Underground Print Release

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A new print from Shepard Fairey is dropping this week titled Keep It Underground.

Here are the details from Shepard:
"This is another in my series of images to encourage people to rethink fossil fuel consumption. This one is a bit of a tribute to the Ramones and their underground legacy, but the phrase “Keep It Underground” is actually more meant to encourage us to keep oil underground. If we extract everything there is to extract the planet is likely doomed, so I implore you to keep it underground spiritually but keep the oil underground literally.
Thanks for caring.  -Shepard
The print is 18 x 24 inch screen print on cream speckle tone paper.  Signed and numbered edition of 450.  
Available on Thursday December 3, 2015 at 10am in the Store.

Monday, October 19, 2015

Shepard Fairey This Changes Everything Poster Release

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This Changes Everything will be the new poster released by Shepard Fairey this week.

Naomi Klein’s book This Changes Everything did just that for me. I’ve been a long time advocate for climate change but this book inspired me and continues to inspire me; now it’s a film. I’m proud to be an Executive Producer alongside Seth MacFarlane, Vivienne Westwood, Danny Glover and others. When Naomi and Avi (the director) asked me to get involved and create the poster and art for the film, I jumped at the chance to make something that resonates with audiences and evokes a feeling of urgency and change needed NOW. The future of our planet is the most important cause there is. Klein thoroughly and compellingly examines the causes of climate change and the systemic roadblocks to reversing it. I know the film will have a lasting impact. It’s overwhelmingly clear through the book and film, that income inequality, lack of corporate oversight, campaign finance, lobbying, and many other current strands of capitalism are all related to our inability to significantly counter climate change. We ALL need to protect humanity and the planet if we want to protect our future. Thanks for caring!
-Shepard
 The poster is an 18 x 24 inch screen print on cream speckle tone paper.  Signed and numbered edition of 450.  $55.  A portion of the proceeds will benefit the film.

Available Tuesday October 20, 2015 at 10am PDT in the Store.  Due to the heavy release schedule this week, shipping delays for orders of This Changes Everything screen print may occur.

Monday, October 5, 2015

Shepard Fairey Endless Power Handbook Print Release

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Obey Giant will be releasing Shepard Fairey's lastest print titled Endless Power Handbook. This print was part of his recent show in New York. The poster is
18 x 24 inch screen print on cream speckle tone paper.  Signed and numbered edition of 450. 

Available October 6, 2015 at a random time between 10am and 11am PDT in the Store.

Monday, July 20, 2015

Shepard Fairey Black Gold Poster Release Details

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Obey Giant will be releasing another strong poster by Shepard Fairey this week titled Black Gold. Seems to be having a lot of prints with hands in them this year.

Shepard on the design:
The “Black Gold” poster is a sequel or companion to “Endless Power” and uses a comparison between the tobacco industry and the oil and gas industry to examine truth in advertising, and destruction of the environment.
I designed this print to feel like a “product as hero” advertisement. A lot of shrewd advertising has been created to suggest that things we want are also good for us and society. Perfect examples are the ads celebrating the health benefits of cigarettes. My inclusion of the text “with lung tonic” is a humorous nod to the absurd health claims historically made for harmful products. Like tobacco companies, oil and gas companies use their deep pockets to create doubt about climate change and to greenwash their image. Oil and gas companies and the car manufacturers who profit heavily from gas powered engines used their power and influence to overturn a zero emissions law in the state of California, effectively delaying electric cars arriving on the market accessibly for 10 plus years. It is dangerous for an industry to have that much power. Scientists hired by fossil fuel corporations represent the minority of the scientific community who claim oil stocks are endless and that oil and gas don’t contribute to climate change. These are the same scientists who, if paid, would claim that smoking cures asthma or gas fumes are a cure-all lung tonic.

Though oil may have originally seemed to be endless, we now know the world’s oil reserves will run out eventually. Estimates range from 10 years to 200 until accessible oil is depleted. The oil was formed by natural geological processes which occurred over millions of years. Oil consumption presently exceeds 25 billion barrels a year and demand continues to spiral upward, out of control. The outcome is inevitable. Wind and sun are renewable and healthy…we’ve got to stop smoking.
-Shepard

BLACK GOLD
18 x 24 inch screen print on cream speckle tone paper.
Signed and numbered edition of 450.
Release date: July 21, 2015 at a random time between 10 and 11am PDT in the Store.

Monday, June 22, 2015

Shepard Fairey My Florist Is A Dick Print Release Details

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Obey Giant is set to release and great new poster by Shepard Fairey titled My Florist Is A Dick.

Shepard give the details:
I’m over in Berlin, and I was asked if my Sadistic Florist image is an SS soldier. No, it is NOT an SS uniform. It is a Washington DC riot police uniform. I guess the power of suggestion has shown itself here in Berlin. Unfortunately, there have been many deaths at the hands of the police historically and in recent months in the US. The police are frequently portrayed as “peace keepers” which is why I have the humorous flowers in the image. Over 5,000 civilians have died at the hands of the police in the us since 9/11. That is far more than have been killed by terrorists… including 9/11. Check out this article by Katie Rucke. We need police to wear body-cameras, not more electronic data collection from ordinary citizens.
-Shepard
The poster is 18 x 24 inch screen print.  Signed and numbered edition of 450. 

Available: June 23, 2015 at a random time between 10 and 11 am PDT in Prints.

Tuesday, June 16, 2015

Shepard Fairey Obey Loom Letterpress Print Release

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Obey Giant is going back to the archives of Shepard Fairey for another rad letterpress print. Obey Loom is a 2 color Letterpress on 100% cotton archival paper with deckled edges. Signed and numbered edition of 450.  OBEY publishing chop on bottom left corner. 10 inches x 13 inches. 

Release date: Tuesday June 16, 2015 at a random time between 10am and 11am PST in PRINTS.

Monday, April 13, 2015

A Message from Our Sponsor Poster by Shepard Fairey

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Obey Giant will be releasing the latest poster by Shepard Fairey this week titled A Message from Our Sponsor. I think this might be the first time he did one with someone flipping the bird, I love it.

Shepard on the idea behind the poster:
The oil and gas industry has long enjoyed a history of strong influence in Washington. Individuals and political action committees affiliated with oil and gas companies have donated $238.7 million to candidates and parties since the 1990 election cycle, 75 percent of which has gone to Republicans.

These facts only emphasize more and more that our political system is broken. Gone are the days of democracy and here to stay are the days of a heavily influenced Congress with organizations such as the American Petroleum Institute (API), the industry’s powerful lobbying and trade association, increasing their power to continue to fuel government-backed subsidies. The hundreds of millions of dollars that the oil and gas industry shell out to employ it’s lobbyists only ensures that policy will never change and our courageous politicians will never stand a chance to reform legislation and repeal these subsidies.

My latest piece, A Message from Our Sponsor, is my interpretation of the powerful, rich, and greedy oil and gas companies and their message to us, the constituents of this “great” democracy. Thanks for caring. -Shepard

The poster is an 18 x 24 inch screen print on cream speckletone paper.  Signed and numbered edition of 450. 

Release date:  April 16, 2015 at a random time between 10am and 11am PST in Prints.

Friday, October 10, 2014

Shepard Fairey Chinese Banner Letterpress Print Release Details

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Obey Giant will have a new Letterpress print by Shepard Fairey on sale next week titled Chinese Banner. It is 1 color Letterpress on 100% cotton Lettre paper, 110# with deckled edges. Signed and numbered edition of 400.  OBEY publishing chop on left corner. 10 inches x 13 inches, frame ready. Ships rolled.  $60

On sale October 16 at a random time in Prints.

Friday, May 16, 2014

Shepard Fairey Empire State of Mind Print Release

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Obey Giant will be releasing Shepard Fairey's newest print Empire State of Mind next week. Shepard talks about the idea behind the design.

This explanation of my Empire State of Mind print may sound familiar, because it shares the same theme with my Oil & Gas Building print. The print is inspired by, but not based on, the Empire State Building.
Industrial power has been a point of pride in America since the early 20th century, and many impressively iconic, if monolithic, architectural landmarks have been erected as symbols of industrial and American dominance. The Chrysler building, the General Electric building, the Sears Tower, and the Empire State Building come to mind. Dominant industrial forces may build great monuments to their success, but those physical manifestations of their power and ego often correlate to the dangerously disproportionate influence they have on politics and policy. America has had an empire state of mind for the last 100 plus years, but the dangers of thinking the world is ours to dominate and plunder are staring us in the face. The flame on top of this building is not a torch of glory, but a fire of reckless over-consumption This Empire State of Mind print is about the volatility of giving an industry with too much power the ability to manipulate politics in its favor despite the dangers to the environment and climate change. The situation is going to blow up in our faces metaphorically, and already has for too many people literally as well (remember the BP explosion and spill?). A lot of people freaked out that the Obama administration lost taxpayers about $600 million by investing in Solyndra, a solar panel company developing a new technology, which went bankrupt. However, few people seem upset that the U.S. government gives approximately $25 billion in tax breaks and subsidies to the highly profitable oil and gas industries. The Solyndra investment did not work out, but the need to fund new, renewable technologies, should be obvious when the rapidly depleting oil and gas sources become more difficult and dangerous to extract each passing day. The only reason the government subsidies are so disproportionate is because of the massive power the dying oil and gas industry still has.

The Oil & Gas industry, which includes multi-national and independent oil and gas producers and refiners, natural gas pipeline companies, gasoline service stations and fuel oil dealers, has long enjoyed a history of strong influence in Washington. Individuals and political action committees affiliated with oil and gas companies have donated $238.7 million to candidates and parties since the 1990 election cycle, 75 percent of which has gone to Republicans.

Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited. Oil and gas companies and the car manufacturers who profit heavily from gas powered engines used their power and influence to overturn a zero emissions law in the state of California, effectively delaying electric cars arriving on the market accessibly for 10 plus years. It is dangerous for an industry to have that much power.

We need to cultivate renewable alternatives, and for the sake of the future, we need to push the government to support the developers of new technologies rather than subsidizing old fossil fuel models moving toward obsolescence.

Check out this article on the political influence of the Oil & Gas industry - http://www.huffingtonpost.com/2011/04/06/how-the-oil-lobby-greases_n_845720.html

Empire State of Mind is an 18 x 24 inch screen print.  Signed and numbered edition of 450.
Release date: May 20, 2014 at a random time in PRINTS.

Friday, July 26, 2013

Shepard Fairey Black Sabbath Tour Posters 2013 Release Details

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When I saw this my head nearly exploded, this is one kickass bunch of posters by Shepard Fairey and I was pleasantly surprised to see them. The new 13 album is really good, check it out.

Black Sabbath has been one of my favorite bands for 25 years. I was fortunate enough to meet Jack Osbourne through my friend Big Dave in 2000. My relationship with Jack and Big Dave has led to several great Ozzy and Sabbath projects over the years. One of my biggest “I’m not worthy!” moments took place when Dave took me backstage to meet the Sabbath guys in 2004 at Ozzfest and bassist and lyricist Geezer Butler was wearing an Obey shirt! Sabbath is still a phenomenal live band and I’m incredibly honored to do my second(first was in 2005) Sabbath/Obey tour poster. Sabbath released a great new record called “13″ recently (produced by Rick Rubin) and are touring in support of the album. There are 125 of each poster in each color way, black and red, and black and metallic silver. -Shepard

The posters are 18 x 24 inch Screen Prints.  Signed and numbered edition of 125.  $50 each.

Release date: next Tuesday, July 30, 2013 at random times between 10am and 12 noon (PST) in Prints

Tuesday, July 23, 2013

Shepard Fairey Obey x Cope2 Takeover Print Releae Details

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 Details from Shepard Fairey on the new release:
 
COPE2 is one of the most notorious bombers in New York City and the five boroughs. I first stumbled upon his work in the early 90′s. From the Bronx to downtown to Brooklyn he had pieces everywhere. The two color, very stylish bubble letter throw ups reading COPE, were just everywhere. The guy was definitely one of the most prolific bombers I’ve ever seen, and I’ve spent a lot of time in New York City. Especially in the 90′s, COPE was everywhere. I found out later on that he had actually been out bombing since the early 80′s, starting very young. Some of the stuff I saw in the early 90′s had maybe been around three, five, eight, even ten years, who knows… but he just stayed at it. He was incredibly tenacious and had built up a huge amount of work around the city.

Of course graffiti is ephemeral, but back then New York wasn’t cleaned as fast, so his stuff was accumulating. I didn’t meet him, I just knew him through his work, and I just thought for traditional graffiti this guy has one of the best styles. Of course, success in graffiti is measured by volume and he was one of the most , if not the most, up of anyone in New York City.

I first got in touch with COPE2 because he had painted on a skateboard that ended up in a show in our gallery. I said, “Wow, COPE2….that guy’s work is everywhere but I’ve never met him, I don’t even know anyone who knows him. Do you have his email?” The guy that organized the skateboard show had the contact info, so I emailed him. COPE was super cool and said he knew my work well. He said he would love to link up sometime when I was in New York, so yeah it somehow happened.. by modern technology. We ended up becoming friends and collaborating on a couple of walls. He took me up to the Bronx and we worked on a wall there on a production he’s maintained for many years. He also took me out to do some bombing and hit some freeway spots. I simultaneously was doing a wall down in Manhattan that I had permission for, a really high-profile wall and told COPE2 he should get up on either end of this wall too. We showed a little uptown/downtown love, and mutual appreciation.

We liked the way the production in the Bronx came out so much that we decided on a poster collaboration. Martha Cooper, who is one of the all-time great graffiti photographers, shot the photo. So between me, COPE2, and Martha, it was a pretty epic collaboration. We talked about doing something with the Obey clothing line with COPE2. His work is great and he can pretty much do tags on top of anything, so we decided to let him do his thing on top of the OBEY icon, to also create a shirt of our Bronx collaboration. We have some great stuff coming out, and I’m always about putting the spotlight on people that I think have really put a lot of work in the culture and have earned the respect that they deserve. COPE2 is one of those people.
This poster marks the release of the COPE2 collaboration with OBEY Clothing.- Shepard Fairey
 
The poster is 
16 x 24 inch Screen Print.  Signed by Shepard Fairey and COPE2.  Numbered edition of 300.  (100 will be available from Obey Giant)
Release Date: 7/25/2013 at a random time between 10am and 12 noon PST in Prints

Tuesday, April 23, 2013

Shepard Fairey God Saves & Satan Invests Offset (NRA) Print Release Details

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In case you missed this the first time Shepard Fairey has reworked and is releasing a new edition.

This image has been controversial, but I’m glad to take the heat if it encourages more people to participate in a necessary conversation. I’m not anti- 2nd Amendment, I’m pro-common sense. No one needs an assault rifle with a 50 round clip, especially without a background check. Let’s not allow a powerful organization like the NRA to lobby, use fear tactics,  and ultimately dictate policy that is not supported by the majority of Americans. Please speak up if you believe in safety over intimidation. Thanks for caring.
-Shepard
24 x 36 inch Offset Lithograph on thick paper.  Signed and Numbered edition of 350. Proceeds from this print go to creating posters for Occupy The NRA. 50 sets on thin paper folded will be sold for street use/ public display for $15 per set.

Release Date: 4/25/2013 at a random time between 10am and noon PST here.

I have said it before on Twitter and other places FUCK THE NRA. How can you honestly believe they have the best intentions for you and your family ? They take money from the corporations that manufacture arms in order to push the agendas of those companies by buying congressman in order to maximize profits. They are both getting rich while people are dying in the streets and you are getting what out of this arrangement ?

Monday, January 7, 2013

Shepard Fairey Sedation Pill Print Release Details

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I doubt Obey got Julia Roberts to do a poster with them, but it really does look like her. Sedation Pill is a 18 x 24 inch screen print.  Signed and numbered edition of 450. 

Release Date: 1/10/2013 at a random time between 10am and 12 noon (PST) ObeyGiant.com
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